Joel Darland

Joel is a sometimes contributor to UnderMain who always tries to look at things closely. He recently received his Master’s in Art History from the University of Louisiville and has a deep interest in the material realities of photography and other art media, an interest that sometimes comes in handy when taking his own bad pictures.

Teri Dryden, “the zen of things” at B. Deemer

Without saying as much, the concepts in Teri Dryden’s exhibition...

Fixed in Place: Six Exhibitions at the Lexington Art League

Not quite a group show or even a series of...

Carolyn Young Hisel: Light to See

A “retrospective” is a specific type of exhibition curated to...

Truth(s) and Consequence(s)

The plurals are not insignificant. The artworks included in Eastern...

Something More

Something Pretty at Transylvania’s Morlan Gallery means to complicate that...

Clear Outlook

Matthew Metzger’s new collection of paintings and sculptures at Moremen...

High Spirits in High Spaces

In the first chapter of philosopher Gaston Bachelard’s 1964 treatise...

Memorial in Process

Carleton Wing’s statement on “Sharing Time and Space,” the exhibition...

Dredging Memory and Disaster

As its name implies, Alison Saar’s Breach, currently on display...

Real Virtuality

As is often the case, the appearance of new technology...
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