Visual Arts

Review: Hongwei and Hido at UK Art Museum

Every art form is a refuge and a prison. Many artists spend much of their careers working in the spacious house of a particular medium or genre, only to discover, sooner or later, that it seems to have shrunk, sometimes intolerably. Some respond to this creeping claustrophobia by moving to a new house, or burning down the old one and starting fresh. Picasso did this...
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Recent Articles

Review: A Thought is a River

On Friday, March 11, 2022, The Carnegie in Covington,...

Interview with Rachael Banks

“The things that are close to you are the...

Studio Visit: Josie Love Roebuck

For the last year, interdisciplinary artist Josie Love Roebuck...

Review: The Portraiture of Honora Jacob

The only way for a woman, as for a...

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A Conversation with Carlos Javier Ortiz

I have known and admired Carlos’ work for a long...

Review: Crafting the Vernacular at KMAC

On a cold Friday evening in February, a small group...

Studio Visit: Gaela Erwin

First Studio Visit  Gaela Erwin is not a traditional portraitist. She...

Review: The Regional at CAC in Cincinnati

“I too think that great art will come outof the...

Thirteen Ways of Looking at a Portrait: A Studio Visit with Sandra Charles

I.  First, I should tell you. She doesn’t like talking about...

Studio Visit: Becky Alley

The job of a parent is to keep your child...

Review: Vivian Maier in Color

In 2011, I went to the opening of an unknown...

Studio Visit: Clay Wainscott

Of all the Lexington painters who’ve developed a signature style...

Exploring Wilderness to Post-Urban at Manifest Gallery

Wilderness, Rural, Suburban, Urban, and Post-Urban comprises Manifest Gallery's third...

Review: Appalachia from the Inside

In Danville, Art Center of the Bluegrass’ new show Appalachia...

American Epidemic: Guns in the United States

As a photographer reviewing photography exhibits, I feel I might...
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