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UnderMain
UnderMain
Visual Arts
Performing Arts
Literary Arts
News
Interviews
Collections
Works For These Times
UnderMain: On the Road
Art World After COVID
Studio Visits
Female Japanese MCs
Critical Mass
Review: Matthew Ritchie at the Frist
Review: “The Future is Female”
Review of “The Odyssey: A Retelling”
Studio Visit: Mark Lenn Johnson
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Review: “The Future is Female”
UnderMain: On the Road
Kevin Nance
Art may be uniquely positioned to contain all manner...
A Talk with Louisvillian and Pulitzer Prize-Winning Photographer Jon Cherry
Visual Arts
Erica Rucker
Sometimes when we just go with the flow of...
Review: Matthew Ritchie at the Frist
Kevin Nance
Some artists zoom in and focus on the small details of whatever they’re depicting or evoking: a place or...
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Review of “The Odyssey: A Retelling”
UnderMain: On the Road
Kevin Nance
An uncomfortable truth about a good deal of contemporary...
Studio Visit: Mark Lenn Johnson
Visual Arts
Kevin Nance
There are two Mark Lenn Johnsons. The first and (at...
Review: The Heidelberg Project Redeems the Discarded
UnderMain: On the Road
Kim Kobersmith
The drive through Detroit to The Heidelberg Project sets...
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A Conversation with Sanford Biggers
UnderMain: On the Road
isra rene
I. TIME It is June 23, 2022, at 2:15pm CST....
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Review: Watershed
UnderMain: On the Road
Kim Kobersmith
My recent visit to take in Watershed, an expansive...
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Kentucky Writer Profile: Robert Gipe
Literary Arts
Wesley Browne
Whatever your expectations might be of the Appalachian Program...
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Collection:
Critical Mass
Critical Mass 5 Video Recording
Presented by UnderMain and Featuring the Great Meadows Foundation Critic-in-Residence,...
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A Tapestry of Talent: An Interview with Kōan Jeff Baysa
In December 2019, I met with Kōan Jeff Baysa, the...
Reaching Critical Mass (IV)
UnderMain's annual event "Critical Mass" has been postponed. Dear Supporters: We regret...
Critical Mass: From III to IV
In March of this year, UnderMain held its third panel discussion of...
Critical Mass II: A Short Video Summary
On Wednesday, March 28th, 2018, UnderMain held its second Critical Mass...
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Collection:
Studio Visits
Studio Visit: Mark Lenn Johnson
There are two Mark Lenn Johnsons. The first and (at least...
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Studio Visit: Alivia Blade
There is a vast array of art and artists and...
Beautifully Grotesk: A Studio Visit with Claire Thompson
As humans, we want to categorize the images we see...
Studio Visit: Josie Love Roebuck
For the last year, interdisciplinary artist Josie Love Roebuck has...
Tchotchkes and Mug Shots: A Studio Visit with Dick Dougherty and Robin Taffler
As I walk up to T&D Gallery/Studio in downtown Berea,...
Studio Visit: Gaela Erwin
First Studio Visit Gaela Erwin is not a traditional portraitist. She...
Thirteen Ways of Looking at a Portrait: A Studio Visit with Sandra Charles
I. First, I should tell you. She doesn’t like talking about...
Studio Visit: Becky Alley
The job of a parent is to keep your child...
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Collection:
Undermain on the Road
Review: Matthew Ritchie at the Frist
Some artists zoom in and focus on the small details...
Read more
Review: “The Future is Female”
Art may be uniquely positioned to contain all manner of...
Review of “The Odyssey: A Retelling”
An uncomfortable truth about a good deal of contemporary art...
Review: The Heidelberg Project Redeems the Discarded
The drive through Detroit to The Heidelberg Project sets the...
A Conversation with Sanford Biggers
I. TIME It is June 23, 2022, at 2:15pm CST. I...
Review: Watershed
My recent visit to take in Watershed, an expansive exhibit...
Racecar Factory Review: “Wow, Nice.”
On a whim, one sunny Thursday morning, I met with...
Life and Death at UK Art Museum
“The Life and Death of Charles Williams,” a jam-packed retrospective...
More from this Collection