Review: Matthew Ritchie at the Frist

Some artists zoom in and focus on the small details of whatever they’re depicting or evoking: a place or...

Review of “The Odyssey: A Retelling”

An uncomfortable truth about a good deal of contemporary...

Studio Visit: Mark Lenn Johnson

There are two Mark Lenn Johnsons. The first and (at...
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Review: The Heidelberg Project Redeems the Discarded

The drive through Detroit to The Heidelberg Project sets...

A Conversation with Sanford Biggers

I. TIME It is June 23, 2022, at 2:15pm CST....

Review: Watershed

My recent visit to take in Watershed, an expansive...

Kentucky Writer Profile: Robert Gipe

Whatever your expectations might be of the Appalachian Program...
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Collection:

Critical Mass

Critical Mass 5 Video Recording

Presented by UnderMain and Featuring the Great Meadows Foundation Critic-in-Residence,...

A Tapestry of Talent: An Interview with Kōan Jeff Baysa

In December 2019, I met with Kōan Jeff Baysa, the...

Reaching Critical Mass (IV)

UnderMain's annual event "Critical Mass" has been postponed. Dear Supporters: We regret...

Critical Mass: From III to IV

In March of this year, UnderMain held its third panel discussion of...

Critical Mass II: A Short Video Summary

On Wednesday, March 28th, 2018, UnderMain held its second Critical Mass...

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Collection:

Studio Visits

Studio Visit: Mark Lenn Johnson

There are two Mark Lenn Johnsons. The first and (at least...

Studio Visit: Alivia Blade

There is a vast array of art and artists and...

Beautifully Grotesk: A Studio Visit with Claire Thompson

As humans, we want to categorize the images we see...

Studio Visit: Josie Love Roebuck

For the last year, interdisciplinary artist Josie Love Roebuck has...

Tchotchkes and Mug Shots: A Studio Visit with Dick Dougherty and Robin Taffler

As I walk up to T&D Gallery/Studio in downtown Berea,...

Studio Visit: Gaela Erwin

First Studio Visit  Gaela Erwin is not a traditional portraitist. She...

Thirteen Ways of Looking at a Portrait: A Studio Visit with Sandra Charles

I.  First, I should tell you. She doesn’t like talking about...

Studio Visit: Becky Alley

The job of a parent is to keep your child...

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Collection:

Undermain on the Road

Review: Matthew Ritchie at the Frist

Some artists zoom in and focus on the small details...

Review: “The Future is Female”

Art may be uniquely positioned to contain all manner of...

Review of “The Odyssey: A Retelling”

An uncomfortable truth about a good deal of contemporary art...

Review: The Heidelberg Project Redeems the Discarded

The drive through Detroit to The Heidelberg Project sets the...

A Conversation with Sanford Biggers

I. TIME It is June 23, 2022, at 2:15pm CST. I...

Review: Watershed

My recent visit to take in Watershed, an expansive exhibit...

Racecar Factory Review: “Wow, Nice.”

On a whim, one sunny Thursday morning, I met with...

Life and Death at UK Art Museum

“The Life and Death of Charles Williams,” a jam-packed retrospective...

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