Photographer and University of Kentucky Educator James R Southard was sent on assignment to circle the Great Lakes and document artists, their lives, work habits, social networking and their environment. ________________________________________________________ LAKE ONTARIO
I knew that Lake Ontario includes the most populated region of Canada, so I felt that I’d be spending much of my time with contemporary artists and in fine art museums. To me, Toronto has always been the art capital of Canada as I had met so many artists working there over the years. Also, after a few weeks of being on the road for the most rural stretches of my trip I was eager to be in a metropolitan area and to catch up with the Canadian contemporary art scene. On the U.S. side of the lake, I was making a point to stop in a small town known for its historic role in the War of 1812 and not known for modern art. I was aiming to have a well-rounded tour of the Lake Ontario region. This was going to be my last chance to visit a small American town before I would stop at the larger Rust Belt cities on Lake Erie.
I hadn’t been to Toronto since the late nineties and I totally missed how big and international Toronto has become. After visiting museums, galleries and stopping into gallery openings, I learned it is a rather competitive city to be an artist in. After speaking with a few curators and artists, I also learned that this would be one of the most expensive cities on my trip to be an artist. Studio space is a big subject of concern all over the city. When crossing over to the U.S. side of Lake Ontario, studio spaces are no longer of serious concern. In fact, much of northern New York reminded me of central Kentucky. Lots of talented craftsman working in small communities in oversized workshops who happily moved there from larger metropolises. It was a point of pride for many of the people I’d meet. When many of the folks in Sackets Harbor heard I was there for this project, I was immediately pulled into a dozen or so conversations and introductions to other locals of interest. The civic pride I kept finding was endearing.
Since receiving his MFA from Carnegie Mellon, James R Southard has worked as a digital media artist working with communities all over the US and beyond in the hopes of highlighting regional issues and culture. When not collaborating abroad, he teaches full time at the University of Kentucky.