[tdn_block_newsletter_subscribe btn_text="Subscribe" tds_newsletter2-image="18946" tds_newsletter2-image_bg_color="#c3ecff" tds_newsletter3-input_bar_display="row" tds_newsletter4-image="18947" tds_newsletter4-image_bg_color="#fffbcf" tds_newsletter4-btn_bg_color="#f3b700" tds_newsletter4-check_accent="#f3b700" tds_newsletter5-tdicon="tdc-font-fa tdc-font-fa-envelope-o" tds_newsletter5-btn_bg_color="#000000" tds_newsletter5-btn_bg_color_hover="#4db2ec" tds_newsletter5-check_accent="#000000" tds_newsletter6-input_bar_display="row" tds_newsletter6-btn_bg_color="#da1414" tds_newsletter6-check_accent="#da1414" tds_newsletter7-image="18948" tds_newsletter7-btn_bg_color="#1c69ad" tds_newsletter7-check_accent="#1c69ad" tds_newsletter7-f_title_font_size="20" tds_newsletter7-f_title_font_line_height="28px" tds_newsletter8-input_bar_display="row" tds_newsletter8-btn_bg_color="#00649e" tds_newsletter8-btn_bg_color_hover="#21709e" tds_newsletter8-check_accent="#00649e" embedded_form_code="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" tds_newsletter1-btn_bg_color="#ff2465" tds_newsletter1-btn_bg_color_hover="#bf6580" tdc_css="eyJhbGwiOnsibWFyZ2luLWJvdHRvbSI6IjAiLCJkaXNwbGF5IjoiIn19" input_placeholder="sign up for the UM newsletter"]

Visual Arts

Review: Matthew Ritchie at the Frist

Some artists zoom in and focus on the small details of whatever they’re depicting or evoking: a place or person, an object, a thought, a feeling. Think of Matisse sticking close to home, cataloging the contents of his red studio: the paintings on the wall, the chairs for viewing them, the table, the wineglass. Others take a decidedly more macro approach, zooming out and up...
spot_imgspot_img

Recent Articles

Review: “The Future is Female”

Art may be uniquely positioned to contain all manner...

Review of “The Odyssey: A Retelling”

An uncomfortable truth about a good deal of contemporary...

Studio Visit: Mark Lenn Johnson

There are two Mark Lenn Johnsons. The first and (at...

all archives

Interview: Guyon and Fields on the “I Was Here” Project

I Was Here is a project that hopes to mend...

2022 KMAC Triennial: Divided We Fall

There isn’t enough said about the art in the Midwest....

“Not In My Backyard”: New Work by Ying Kit Chan

Tornado Alley is shifting eastward to the Midwest, the Ohio...

Review: Robert Morgan’s Myths and Stories

Robert Morgan, one senses, makes art like other people breathe:...

Interview with Dr. fari nzinga

In June 2022, the Speed Art Museum appointed educator and...

Josephine Sculpture Park

Driving down a country road in Kentucky, with the sky...

Review: “Not a Certainty But a Circumstance” at Quappi Projects

Color, craftsmanship, crispness, and a sense of mysticism greet you...

Review: John Brooks at NYC

The solo exhibition I See This Echoing by John Brooks...

Interview with Vian Sora

Born and raised in Iraq during multiple wars, Vian Sora...

Review: Hongwei and Hido at UK Art Museum

Every art form is a refuge and a prison. Many...

Review: A Thought is a River

On Friday, March 11, 2022, The Carnegie in Covington, Kentucky...

Interview with Rachael Banks

“The things that are close to you are the things...

sponsors & galleries

spot_img
spot_img
spot_img
spot_img
spot_img
spot_img
spot_img
spot_img
spot_img
spot_img
spot_img
spot_img